Clara Mann’s latest EP, Stay Open, is a collection of alt-folk ballads born from a feeling of being in perpetual transition. Clara writes songs about the restlessness of life in your early twenties and the immense power of optimism in dark times. She feels things very acutely and cries often- when she’s happy, sad, or simply moved (by things like: the evening light over the city, a dog on the street in a nice jacket, or choral music on the radio). She finds all of these things very poignant. Her music usually begins in her drawings, or in short fragments of written text, in which she finds the first lines of songs. Inspired by the likes of Edith Piaf, Tom Waits, and Judee Sill, Clara likes to tell stories and paint pictures, without ever giving too much away. She loves to lean into the strange and the mysterious - but never compromises on tenderness. After a busy year of shows including support tours with Daniel Rossen (Grizzly Bear) and Skullcrusher, Clara has spent the last few months working on her debut record, with which she hopes to throw herself into her music more than ever before.

Clara Mann

Edinburgh

The Voodoo Rooms - The Speakeasy

AGL &amp; The Alchemists: This is where you&#39;ll beFollowing their sold-out November gig, Annie &amp; the band are back at the Voodoo Rooms for one night only, showcasing their new material

Sold Out - AGL & The Alchemists

The Voodoo Rooms - The Ballroom

Step into the Spotlight &amp; Unleash Your Inner Star! Reggaeton workshop goes on show mode! Join us for a Reggaeton spirit workshop at Voodoo Rooms this May! This is your chance to spice up your dancing, boost your confidence, and experience how your dancing can grow! And remember… Don’t forget that for this workshop we need you to dress up! – it’s part of the magic! We will be wearing our party clothes and bring the heat to Voodoo Rooms on Saturday morning!!EVENT DETAILS : Date:3rd of May 2025 Reggaeton workshop - Choreography going into SHOW MODE! Feel like you are performing it in a magical location! There are also REAL PERFORMANCE OPPORTUNITY 4th of May (next day) in the evening at Voodoo Rooms in our Mystery event! Location: In-Person: Voodoo Rooms (19a W Register St, Edinburgh EH2 2AA) Online Live (PLUS on-demand )Workshop Schedule:  11 AM – Session 1: Warm-up + Start the choreography + technic 12 PM – Session 2: Finish the choreography &amp; Dance it out!   – Cool-down &amp; Stretching - Join in for the 2 H for the full experience, as second class we will just continue the dance. - If you can only join at 1 h , join at 11 am. WHO CAN JOIN? This workshop is more for dancers who have some experience, we will focus more on the choreography and playing with the performance aspect. Suitable for adults 18 to 60+ years !BOOKINGS OPEN NOW! Secure Your Spot &amp; Let’s Dance! WHY JOIN THIS WORKSHOP?  Dance with confidence &amp; style  in a truly unique venue and way!!!Fun, friendly, and empowering atmosphere  Online or in-person – you choose your experience! Let&#39;s make this a day full of energy, elegance, and excitement! See you on the dance floor. Any questions? Get in touch ; info@piritatuisku.com

2025 Reggaeton Workshop

Dean Johnson's rustic tenor and simply strummed acoustic guitar have been perking up ears around the Pacific Northwest and beyond for over a decade now. Strictly through live performances—singing existential cowboy waltzes, ballads about longing to find a way out of heaven, honest confessionals, and other heartbreakers from a timeless yet unique perspective—he has gradually built a devoted fan base. At long last, his debut album 'Nothing for Me, Please' is out now on Mama Bird Recording Co.

Dean Johnson

Brain of J is a London-based Pearl Jam Tribute Band that was created in 2016 by five Pearl Jam fans. Since their formation, Brain of J has been thrilling crowds in packed venues across the UK with their high-energy performances of Pearl Jam’s greatest hits, from “Alive” and “Jeremy” to “Better Man” and “Even Flow”.Brain of J brings an unparalleled energy to their shows and an impressive knowledge of the nuances of Pearl Jam’s music. Fans can expect to hear beloved classics as well as deeper cuts from Pearl Jam’s vast catalogue. Brain of J’s performances are as passionate as they are accurate, and they strive to recreate the genuine spirit of Pearl Jam’s live shows. Brain of J is dedicated to providing an unforgettable experience to fans of any age.

Brain of J - The Pearl Jam Tribute Live

Evening of Mystery comes back to the Voodoo Rooms and to your living room:! Evening to Experience Dance, Poetry &amp; Community-Date: May 4, 2025-Location: Voodoo Ballroom, Edinburgh &amp; Online-Doors Open: 5:45 PM -Dress Code: Party cloths with a touch of blue &amp; Masked (Bring your own mask, or one will be provided)-Tickets : Pay As You Can ( You can also make donations after the event. ) YOU NEED TO STILL BOOK TICKET advance!Join us for an unforgettable evening of mystery, art, and community building!We invite you to EVENING OF MYSTERY, an interactive event where dance, poetry, and music collide to create a magical night of creativity and connection. Last year´s evening was a success and this one will be leveling up from what we have done before. The evening will feature inspiring performances, participatory experiences, and plenty of time to dance, socialize, and enjoy the moment!What to Expect:* Doors open at 5:45 PM—grab your mask and get ready for a night full of surprises!* At 6:15 PM, the experience begins!* From 7:45 PM onwards, enjoy free-flow dancing and socialising—let the night carry you away!* The space is only booked for us. The people at home, we will send you info about what to consider in order to make your experience the best one. Before leaving the event we will need your help about something, this will be shared upon the start of the event. Your voice and contribution will help shape the future of this exciting initiative. Dress Code: * Masked Theme: The evening’s theme is all about mystery and unity—so wear party clothes with a touch of blue and a mask! If you don’t have a mask, we’ll provide one at the door. For our online audience, we’ll send a printable mask template, or you can wear your own.* Pay As You Can : We believe in making our events accessible to everyone, so this event is Pay As You Can. This means you choose an amount that feels right for you—whether in advance or on the day. Your contribution helps us continue creating immersive, community-driven experiences, supporting artists, and making these gatherings possible for all. As we are not yet funded for these events elsewhere.Let’s come together, masked and full of creativity, to shape what comes next. We can’t wait to celebrate with you!Book your ticket today and secure your spot for a night of magic, movement, and community!DISCLAIMER: No under 18&#39;s allowed in the venue, but they are more than welcomed to join online.Any questions? Get in touch ; info@piritatuisku.com

Evening of Mystery

EarthlingsMAIK - Jamie Cook and Kirsty Law innovate on the folk genre while staying true to its heart, drawing listeners deep into the stories of song with their earnest, spellbinding vocals. For fans of: Ye Vagabonds, The Young&#39;uns.Angus Walker - From his base as a drummer , Angus goes out on a limb to explore his admiration of songwriters and the indie/folk/rock crossover. For fans of: Big Thief, Flyte.M.A.Y - The debut performance of Robyn Davidson&#39;s new project. Deep, heartfelt lyrics and a sonic landscape that is as lush and delicate as it is impactful and driving, M.A.Y draws on indie folk and rock influences while presenting a striking identity of their own. For fans of: Bon Iver, Hozier.Fraser Charleson - A master craftsman of sonics, bassist and composer Fraser presents a wall-of-sound adrenaline driven set full of huge riffs and tasty grooves. For fans of: Royal Blood, Muse, Nothing But Thieves.Also featuring Lori and Cynric Acosta.This show doubles as a final performance exam for four performers&#39; music degrees.

Earthlings

AFFECTION PLACE is an alternative rock group based in Lyon, France, born out of the international New-Wave / Post-Punk music scene of the 80’s. The original formation played from 1979 to 1981 performing many concerts in France and Switzerland and touring with groups such as Magazine, the Cramps, A Certain Ratio, Marquis de Sade and many more.In 2019 the group reformed and released a compilation of unreleased tracks dating from the 80’s on Cameleon Records. A major exhibition in Lyon ‘Lyon Capitale du Rock 1978-1983’ at the Municipal Library of Lyon highlighted Affection Place as a force majeur of the Lyon music scene of the early 80’s.A french TV documentary followed on France 3 called ‘Sauvages’ highlighting the importance of bands such as Affection Place in the 80’s.Since 2019, the band has filmed music videos and performed numerous concerts with much music press interest. Affection Place formed a close relationship with keyboard player and producer Dave Formula from the band Magazine (and Visage). Dave produced and features on 4 tracks recorded during lockdown.In 2022 Affection Place recorded an album Smouldering Fire in Dave Formula’s studio The Sweet Factory in the UK and is available now on CD/LP/DIGITAL and all STREAMING platforms.“Extraordinary Magazine-ish .... rubbery upfront bass guitar perfected by Barry Adamson and shards of John McGeoch like guitar MOJO “... shades of Killing Joke and Magazine ... sounds like goth-pop overlap of Sisters of Mercy and the Damned.” UNCUT“Affection Place an irresistible offering... a gift from the past!” MUSICTAP

Affection Place

An evening of powerhouse vocals and fierce drumming to bring our time at Napier to an explosive end. If you enjoy Pop, R&amp;B, Indie and Rock come along!

Girls Gone Wild

The Deadlians mix of psychedelic rock, folk and punk creates a lively fun atmosphere. Songs written in our time, of our time, for all time.The Deadlians are Sean Fitzgerald (vocals, trumpet, fiddle), Barry Semple (drums), Tommy Foster (baritone guitar), Luke Farrell (synth), Eoin Campbell (bass guitar).

The Deadlians

Celebrating the launch of the label and the release of our nextinstallment - Foxbam Inc 004.Delivering beats across the underground music spectrum. The FBI crew arebringing a Belgian ACID hero to join the BAMS and some of theEdinburgh&#39;s club scene heavy weights DJs from Alien Disko .We are sure you will be rocked to the CORE!ARKANOID [Binary Bassline / Krank Kartel- BE] -https://soundcloud.com/arkanoidTOKYO ACID CRU https://soundcloud.com/tokyo-acid-cEGEBAMYASI [FBI] - https://soundcloud.com/mr-eggFOXTROT [FBI] https://soundcloud.com/foxtrotteknoTEKNOCRAT [ALIEN DISKO] - https://soundcloud.com/teknocrat-bkMOXXIE [FBI] - https://soundcloud.com/moxxie_thediscodivaMore tickets available on the door.

FoxBam Inc Record Label Launch Party

Party Fears Three are the combined talents of synthmeister Don Thomson, along with Guitarist and &quot;Man of many voices&quot; Michael Lyden.. bringing to life the music and spirit of artists such as OMD, The Human League, Ultravox,Depeche Mode, Erasure, Talk Talk, David Bowie, Tears for Fears &amp; many more. Don’t miss this trip back to the 80’s !!!Party Fears Three - Synthetically Recre80d

Party Fears Three

In an uncertain number of years time, it will be acceptably cool to say that you first got into non-Grammy-winning artist Peter Bruntnell through his classic 2024 album Houdini And The Sucker Punch, before then going back and discovering his back catalogue of yet more “classics”. And you were there! You saw him live. You were one of those “10” people who saw him play in that modestly-sized room, almost 30 years into his career.So here we are again. Three years on, another album into Peter’s 13 or 14 album catalogue and shouldering the burden of even more sublime reviews. Every possible positive adjective has been called into play, although it must be noted that the word “sublime” can never be used enough. Not even 2021’s primarily solo, slightly synthy lockdown album succeeded in putting an end to his non-success, despite Mojo echoing the plea that, “Somehow, some way, this cult and infinitely class songwriter must get his due wider recognition”. The Scottish Daily Express with its 5 star review, slightly frustrated, said, or perhaps yelled, “I’m getting tired of saying this: He’s brilliant”. The Irish Times thoughtfully combined two quotes into one, saving us the trouble of going back and getting crushed under the sheer weight of Peter’s archive of press quotes: “With Journey To The Sun, the man whose songs NME once noted should be placed on school curriculums has done it again.” And he continues to do so. But not without a brief foray into dance music, in collaboration with mega pop-hit songwriter Rob Davies. A foray that succeeded in sneaking by, almost completely unnoticed, therefore providing us with no further fresh quotes. If veering off entirely into the dark world of autotune would have increased his chances of hitting the big time, we shall never know. But fortunately Peter’s taking his chances.New album Houdini And The Sucker Punch sees Peter re-employing his long-term band members Mick Clews (drums), Dave Little (electric guitar) and Peter Noone (bass), along with a number of his favourite musicians. Cameos include pedal steel virtuoso Eric Heywood adding magic to Houdini, The Flying Monk and Stamps Of The World, Son Volt / Uncle Tupelo’s Jay Farrar playing piano on Sharks, Peter’s old partner in crime (we suspect quite literally), James Walbourne of The Pretenders tearing up Yellow Gold, cellist Laura Anstee on Sharks and Jimmy Mac, Son Volt’s Mark Spencer’s Hammond organ and piano on Let There Be A Scar and mastering man Peter Linnane touching up the album with some added Hammond organ and synth.

Peter Bruntnell

When Sam Amidon flew to Los Angeles late in the winter of 2024 to collaborate with Sam Gendel, he had a deceptively complex plan for their session: That is, he had no real plan at all. Amidon and Gendel had long been two members of a mutual admiration society. When Amidon first saw Gendel play at his now-fabled residency at the Hollywood Italian restaurant Pace years earlier, he was wowed by Gendel’s open-ended enthusiasm and stylistic vim, plus charmed by his invitation to sit in on violin, though he didn’t know much about making “jazz.” Gendel, too, had been an ardent fan of Amidon’s voice and flexibility since seeing him on YouTube nearly two decades ago. Gendel even joined Amidon and the great Milford Graves for the 12-minute finale of 2017’s The Following Mountain. But what, exactly, were the New England folk musician now living in England and the pedal-hopping polyglot saxophonist going to do for the better part of a week in Gendel’s Venice home, in his ad hoc dining room studio? Neither exactly knew. Amidon offered up two ideas. First, they could simply play, pursuing whatever ideas felt good as they jammed. Or, perhaps, they could tinker with a batch of interpretations Amidon had been building, a loose set of somewhat familiar tunes—Yoko Ono’s “Ask the Elephant,” Lou Reed’s “Big Sky,” the rapturous hymn “Old Churchyard,” the standard English shanty “Golden Willow Tree.” Gendel’s eyes and imagination lit up with the latter idea, or at the chance to help Amidon in his decades-long quest to recontextualize what it means to sing a folk song or make folk music. When Amidon left Los Angeles just days later, the bulk of Salt River—his Gendel-produced debut for River Lea Recordings / Rough Trade and a radical reintroduction to the possibilities of Sam Amidon’s music—was done. Since his earliest days of releasing records, Amidon has been interested in the idea of submission, of working closely with collaborators who could take his skills as an interpreter, singer, guitarist, and fiddler somewhere unexpected. Thomas Bartlett and Nico Muhly once helped lead him to those unknowns, as did producer and multi-instrumentalist Shahzad Ismaily. His confidence as a bandleader and arranger have, of course, increased over decades on stages and in studios; his self-titled 2020 album, full of idiosyncratic and imaginative new renditions of sometimes-ancient songs, was the result of a touring unit, working as one. The submission had been subsumed. But he longed to be a beginner again, to submit to a process that was unfamiliar and even exotic with someone he knew he could trust—namely, someone like Gendel, whose understanding of how electronics might be applied to material often rendered with acoustic instruments intrigued Amidon. They invited drummer Philippe Melanson, a frequent collaborator of both, to join.&nbsp; Taken together, these 10 songs feel like a shared playground of discovery, Amidon finding new ways for old songs to exist in the company of two unfettered collaborators. They imbue Reed’s “Big Sky,” for instance, with the cool aplomb of Arthur Russell. Fluorescent stretches of synthesizer and slowly shuddering electronic drums interlock with Amidon’s acoustic guitar, together holding up his voice like the sky itself. They treat the shape-note great “On My Journey Home” like an emotional seesaw, giving its story of heavenward ascent hints of both gothic dread and New Age grace. The trio’s transformation of “Old Churchyard,” a classic hymn with deep roots in England and the United States,” is stunning. Here titled “Three Five,” it uses tessellated rhythms and a half-dozen electronic layers to suggest the clouds breaking, redemption arriving as darkness yields to whatever comes after. The fun they have with the fiddle tune “Salt River” during “Tavern,” the wonder they embody during Ono’s play on perspective “Ask the Elephant,” the way they dance in unison during Grey Larsen’s coruscant “Oldenfjord”: Amidon has never seemed to delight so much in warping source material so much as he has here, surrounded by this very good company.&nbsp; Salt River is credited to Amidon—a solo record, with Gendel producing and Melanson contributing assorted drums. But he’ll be the first to tell you that’s not quite right, that this is instead a group effort, made by three people who submitted not only to one another’s impulses but also to trying something new together. There in Gendel’s home, they built a little short-lived community, playing together beneath headphones until they would walk to the market together to buy ingredients for dinner that night. Amidon, after all, has always been drawn to music from communities, from groups of people sharing shape-note songs or hymns or drinking songs, groups of people sharing a moment.&nbsp; You can hear that essence so well on the trio’s joyful rendition of Ornette Coleman’s “Friends and Neighbors,” dishes and glasses clinking as Amidon first finds the melody and the lick. Melanson and Gendel slowly join in, playful bells and electronics and drums slipping around the recording of their dinnertime conversation. At the end, they all sing together, chanting out Coleman’s credo—“Friends and neighbors, that’s where it’s at,” and so on—like they’re gathered around a digital campfire. It’s a beautiful snapshot from a record of astounding possibility, where past and future brush side by side in a present of friendship and exploration.

Sam Amidon

Dan started his career with rock band ‘Ocean Colour Scene’ and toured the world, played headline slots at major festivals for over a decade and co-founded the band Merrymouth with Simon Fowler.Merrymouth featured award-winning musicians, John McCusker, Andy Cutting and even a guest appearance from Chas Hodges (Chas and Dave).Dan also re-formed the legendary Music Hall double act ‘Cosmotheka’ with his father Dave who were huge on the folk scene throughout the 80’s and 90’s until Dan’s uncle, ‘Al’ sadly passed away. Cosmotheka toured the world with Chas and Dave, had several of their own Radio Two programmes and made multiple TV appearances. Dan and father, Dave (one half of the original duo) decided to take the band back out on the road and had great fun headlining Folk Festivals in Bromyard, Whitby, Towersey, Sidmouth, Broadstairs and Upton to name but a few.Dan will be taking his own show back on the road in the Spring of 2025, featuring music from all the bands he’s played in, along with the often-hilarious stories he’s amassed along the way – plus material from his forthcoming album Beware of Darkness.“A particular highlight of this year’s festival was the excellent and amusing Dan Sealey”Beardy Folk Festival“The highlight of the entire week!”Broadstairs Folk Week Attendees“If you ever need a masterclass in songwriting, Dan Sealey is a good place to start. Oozing class on record and live, Dan wraps his reflections on the passing of time in beautiful, lilting musical constructions that work perfectly alongside his silky, easy on the ear vocals”Glastonbury Emerging Talent Competitionwww.facebook.com/DanSealeyM

Dan Sealey - Beware of Darkness Tour 2025

Big Wolf Band, a highly acclaimed group with multiple award nominations, was formed in Birmingham in 2014 by celebrated guitarist, vocalist, and songwriter Jonathan Earp, along with bassist Mick Jeynes. The band is often described as explosive, dynamic, raw, emotional, and hardworking and with Tim Jones on drums, Justin Johnson on guitar, and Robin Fox on keys, they form a formidable powerful blues rock powerhouse. Big Wolf Band are on the rise, making it into the Top 5 best blues bands in the UK at the UK Blues Awards in 2023 and 2024, with multiple nominations across various categories. Their live shows blend hard-edged blues rock with dynamic highs and lows, earning them a reputation as one of the best live bands on the scene.“Well, that was some night! Sold out, two standing ovations, queues at the merch desk... and boy did Big Wolf Band deliver!” - Richard Dunning - Tuesday Night Music ClubBig Wolf Band have garnered airplay from Paul Jones on his Radio 2 show, Planet Rock, HRH radio, FM stations across Europe, Australia, and the USA, as well as numerous international podcasts and internet radio stations. Their albums have earned rave reviews worldwide. The band boasts an impressive following thanks to their excellent recording output, multiple number 1 albums, and diverse and exciting live performances. Over the past decade, they have toured the UK and Europe, supporting renowned blues rock artists such as Bernie Marsden, Kirk Fletcher, Elles Bailey, Chantel McGregor, Pat McManus, and Climax Blues Band to name just a few.“Big Wolf Band stands as a testament to breaking genre stereotypes and fostering a connection that transcends boundaries. The band’s commitment to authenticity, storytelling, and musical innovation positions them as trailblazers in the evolving landscape of blues and rock” Colin Campbell - Blues Matters MagazineIn 2024, Big Wolf Band embarked on their biggest headline tour, extensively touring the UK and Europe. Their third studio album, &quot;Rebel&#39;s Journey,&quot; was released worldwide on April 19, 2024, garnering stunning reviews, magazine features and webzines. The album reached Number 1 on the Amazon Best Selling Blues Chart, Amazon Hot New Releases, and most recently, the IBBA chart for May 2024. Several tracks were added to Joe Bonamassa’s Spotify playlists “Cutting Edge Blues” and “Ultimate Blues Rock.” 2024 has truly been the year of the wolf. Are you ready to run with the PACK?

Big Wolf Band

Glen Matlock (born 27 August 1956) is an English musician, and the original bass guitarist of the punk rock band the Sex Pistols; having been introduced to guitarist Steve Jones, and drummer Paul Cook while working in Let It Rock - the precursor to SEX, Malcolm McLaren and Vivienne Westwood’s clothing boutique in London. He is credited as a songwriter on 10 of the 12 songs on the Sex Pistols&#39; only album, Never Mind The Bollocks. Glen MatlockMatlock left the band in late February 1977, with contemporary reports (given to news outlets by manager Malcolm McLaren) stating that he was “thrown out” because he liked the Beatles. The claim was fictional, with Steve Huey of AllMusic claiming that Matlock. In his self-penned book I Was a Teenage Sex Pistol, Matlock stated that he left the band of his own volition as he was &quot;was even more enamoured of The Faces and the mod groups prominently featured on London pirate radio in the late &#39;60s, as were Steve Jones and Paul Cook.&quot;&quot;sick of all the bullshit.&quot; In the 2000 documentary film The Filth and the Fury, the band members generally agree that there was tension between Matlock and vocalist Johnny Rotten, which Matlock suggests was further aggravated by Malcolm McLaren in an attempt to generate chaos within the band as a creative mechanism. In the 2002 Classic Albums documentary about Never Mind the Bollocks, Jones stated that in retrospect, pushing Matlock out of the band was a mistake, and that the group would have recorded more albums if Matlock had stayed in the band.After leaving the Sex Pistols, Matlock went on to form the Rich Kids, with himself as bass guitarist and singer, Midge Ure (guitarist, singer and keyboard player), Steve New (guitarist and singer) and Rusty Egan (drummer). They released three singles and one album entitled Ghosts Of Princes in Towers. Also during this time, Matlock and New would play with Sid Vicious along with Rat Scabies in the one-off band The Vicious White Kids as part of a benefit performance in London, to help pay for Sid’s travel expenses back to America. After The Rich Kids, Matlock would go on to form the short-lived Spectres, and then Hot Club. Prior to this Matlock toured Europe and North America with Iggy Pop and played bass and co wrote material for his album Soldier.In 1996, Matlock recorded and released his first solo album Who&#39;s He Think He Is When He&#39;s at Home? on Creation Records. However, the album’s release was overshadowed by Matlock rejoining the original Sex Pistols members for the first of their many reunion tours (1996, 2002, 2003, 2007 and 2008).Beginning in the early ‘00s, Matlock would then assemble many short-lived groups including The Philistines, Dead Men Walking (feat. Mike Peters of The Alarm, Kirk Brandon of Theatre of Hate, and Pete Wylie of Wah!), and Slinky Vagabond (feat. Earl Slick, and Clem Burke). In November 2006, the Sex Pistols were inducted to the Rock and Roll Hall of Fame.In January 2010, Glen Matlock reformed The Rich Kids for a one-off benefit concert in aid of ailing Steve New. He was joined on stage by original members Rusty Eagan, and Midge Ure, as well as Mick Jones of The Clash, and Gary Kemp from Spandau Ballet. New would later die of cancer on 24 May 2010. That same year, Matlock was asked to join a reformed Faces, and then in April 2011, he stood in on bass for Primal Scream at the Japan Tsunami appeal concert at Brixton Academy in London.In late 2011, The International Swingers, a band comprising Matlock, Clem Burke, James Stevenson and Gary Twinn, was formed. The band, based in Los Angeles, toured Australia and the USA, and released a self-titled album in 2015. In 2012, Matlock made his acting debut in British drama film The Paddy Lincoln Gang, performing a scene at a live Faces concert. In 2017, Matlock joined a touring punk supergroup L.A.M.F. featuring Heartbreakers member Walter Lure, Clem Burke of Blondie, and Social Distortion&#39;s Mike Ness to pay tribute to the 40th Anniversary of Johnny Thunders &amp; the Heartbreakers‘ classic LP, 1977’s L.A.M.F.In 2018, Matlock released the critically acclaimed solo album Good To Go. A more stripped back, and almost rockabilly-styled album featuring legendary guitarist Earl Slick (David Bowie / John Lennon) and drummer Slim Jim Phantom (Stray Cats). The track “Keep On Pushing,” from the album was deemed “Best Song In The Universe Ever” on Little Steven’s Underground Garage radio show (Sirius XM).In April of 2022, Matlock was asked to join legendary New York band Blondie for their UK and US tours. Matlock remains a touring member of the group and is currently slated to appear on their forthcoming 2023 new studio album.In the summer of 2022, FX / Disney+ released the Danny Boyle directed Sex Pistols’ drama series Pistol (based on the Steve Jones autobiography ‘Lonely Boy’). Matlock was portrayed by actor Christian Lees in the series.In late 2022, Matlock signed a new worldwide solo record deal with Cooking Vinyl, which will see the label release Glen’s long-awaited, timely and politically pertinent new solo album Consequences Coming on April 27, 2023. A first single and video from the record “Head On A Stick” are slated to be released on January 27, 2023.“The album was written and recorded in Britain over the last 18 months or so with a posse of seasoned but on point performers.” says Matlock. “All done during the debacle that is Brexit and the rise and fall of the turgid Trump episode in the US. These songs reflect my take on the whole sorry mess that has ensued.” Matlock elaborates on the album, “Now the wheels of the music business can sometimes move at a lugubrious, glacial pace, and sometimes the moment might be lost but seeing no break in the clouds or clear light at the end of the tunnel, surely the only demand on people’s lips should be that there are ‘Consequences Coming’ for the fat headed oafs who have foisted their asinine warped sensibilities on us.”“The tunes are pretty catchy too...”

Glen Matlock

Gasper Nali is a not-so-traditional babatoni player from the small town of Nkhata Bay on the shores of Lake Malawi. The babatoni is an African one-string home-made 3-metre long bass guitar, and with a stick and an empty beer bottle, together with a cow skin kick drum and catchy melodies, he creates the most amazing and danceable original Afro Beats possible!Gasper’s unique style of Kwela music has received an extraordinary amount of online attention after a video of him playing by the lake shore went viral with over 20 million views. He has been featured by CNN and in the documentary ‘Deep Roots Malawi’, jammed with Joss Stone, appeared on Wired for Sound – Malawi, remixed by Aroop Roy for Sol Power Sounds and has been played by Iggy Pop on BBC 6! His debut album, Abale Ndikuwuzeni, roughly translates to ‘People, I want to tell you’. It is a fitting title as Gasper’s songs, all sung in the Malawi national language of Chichewa, talk about life and strife in the country, often including social issues such as the rich and the poor, child marriages etc.Gasper has toured the UK and Europe several times since his breakthrough video, playing in all environments from seated arts centres spaces to major festival stages. This year, Gasper will be transforming his customary one-man-band show and perform with a 3-piece band for the very first time in the UK. Along for the ride is Malawi born songsmith and cultural proponent Luhangah on additional vocals and percussion, as well as Gasper’s long-time producer and collaborator Mattias Stålnacke on guitars. Gasper will also release his new record “Chule Chule Iwe” to coincide with a UK tour in May/June of 2025.As well as playing in Gasper’s new band, Edinburgh based solo artist Luhangah will be supporting, whose music spans many genres and styles from heavy reggae to what he calls ‘Voodjaz’ – traditional Malawian rhythms with a jazzy feel.“His music is simple but joyous, and totally infectious” – Songlines Magazine“His songs are moving to hear and a spectacle to watch” – Simon Broughton, Evening Standard

Gasper Nali

Raised on American Roots music in East Tennessee, Daniel Kimbro is a multi GRAMMY-nominated musician with more than 20 years of experience performing, recording, and writing Roots music. As an accompanist Daniel has shared stages and studios with notable artists including Eric Clapton, Jerry Douglas, John Hiatt, The Transatlantic Sessions, Sarah Jarosz, and myriad others.While his recording credits are numerous, it is his new solo album Carpet in The Kitchen that best epitomizes Daniel’s experience as a writer and arranger. This debut collection features stories set to lyrics and chords that evoke Appalachian murder ballads and story-songs rooted in the folk traditions of Scotland, Ireland and England. The opening track ‘Loyston’ remembers the upheaval brought by the displacement of his fellow Appalachians with the construction of the TVA dams, focusing on the inundation of the eponymous town in Northeast Tennessee. Guest appearances on Carpet in The Kitchen include Jerry Douglas on slide guitars, Mike Baggetta (Nels Kline, David Wax Museum) on electric guitar, and Jordan Perlson (Gary Burton, Becca Stevens, Snarky Puppy) on Drumset.Known to listeners across the US, UK and Canada for his work with the folk-blues trio Harley Kimbro Lewis, Daniel continues to tour these regions with Sarah Jarosz, The Jerry Douglas Band, the Earls of Leicester and others. When time allows, Daniel can be found on bodies of water of any size with a fly rod in hand, and he is active in promoting and supporting the Conservation of these watersheds and their colourful constituents.

Daniel Kimbro

Wille Edwards is one Cornwall’s most successful exports an eclectic songwriter, and frontman of internationally acclaimed band Wille and the Bandits.He has toured with the likes of Deep Purple, Status Quo, Joe Bonamassa, the John Butler Trio and Warren Haynes. In 2014 his band was voted in the Top Ten bands to see at Glastonbury. The band were picked to play the London Olympics, by being voted one of UK’s best Live acts. Wille’s song writing prowess has also seen him perform from Broadway to Belgrade and everywhere in-between.Wille is known for writing deeply moving, anthemic songs that transport his audience into another life, often writing from the perspectives of people he has met on his travels and has been described as one of the country’s best songwriters.“Lyrics that hit hard targets in the lives of today’s global population”Rock and Blues Muse“Socially aware lyrics and planet-hopping instrumentation makes for the most refreshing sound heard in ages.”Classic Rock Magazine“Restless, urgent, spitting lyrics that mean something and demand attention”Guy Bellamy @ Great Music Storieswww.willeandthebandits.comTickets available through See Tickets, Tickets Scotland, TicketwebThis event was moved from Saturday 30th November 2024, any tickets purchased for November will be valid

Wille Edwards Duo  (Wille and the Bandits)

Gone Down Meadowland is the much-anticipated debut album release from Norwich, UK psych outfit Floral Image, releasing 25th April 2025 on the renowned Fuzz Club. After an extensive touring schedule throughout 2023, the band spent the following winter looking both inward and outward to the wide-skied rural landscape with the aim of distilling their wide pool of influences. Once the gigging horizons regularly started to expand beyond the sleepy shire of home, a fear of musical inertia had left the group asking themselves what their own sound even was. The long nights were used to re-assess and reconnect with a sense of play that had found itself shrunken in the rear-view mirror of a touring van. At Friday night jam sessions; wrapped in coats and warmed by homemade cocktails, Tex and Phil’s freezing living room provided the appropriate cultivation ground for the seeds of a new musical shape - one not solely intending to be big and formidable live, but provide a softer, more subtle recorded companion for both drunken gaiety with friends and unleashed introspection of the self.&nbsp;&nbsp;&nbsp;More than ever, the band wanted to produce a brand of East-Coast psychedelia that reflected the natural lusciousness and glorious solitude of the immediate world around them. Coming fresh out of support shows with Holy Wave and Glass Beams and witnessing first-hand how the delicate, sonic precision they flex on recordings only excels their live shows further, real justification was found. Over 30 songs were conjured, considered and arranged before being whittled down to a final 10 that epitomise what they do best - ten tracks of vivid hue, harnessed live power, all laced together in fluid lyrical harmonies. Taking inspiration from band favourites Woods, KGLW, Stereolab, among many others, a string of at-home recording sessions commenced over a 6-week period across the summer of 2024. There is a mischief and daydream to the character Floral Image, on full dynamic display across the record- a reflection of both the playful fraternity of band members Fergus Nolan (vocals, guitars), Jack Warner (vocals, keys), Matt Kennedy (bass guitar), Mitch Forsyth (drums, visuals), &amp; Phil Whitton (guitars, visuals), and the ever-weaving textures they make together. It is an infrastructure that is unstructured; a body of work that bends and grows and shifts between light, dark, malaise, excitement. There are moments of head-down ferocity and, right there beside them, pools of pulsing wonderment. Fist and feather, hand in hand.

Floral Image

Ellen Beth Abdi is a fearless and boundary-pushing artist, seamlessly blending analogue and digital sounds with influences spanning jazz, soul, and bedroom pop. Born and raised in Manchester, her music reflects a deep understanding of culture, love, and loss, shaped by a rich creative journey.A sought-after collaborator, Abdi has worked with A Certain Ratio, New Order, Angélique Kidjo, and many others, bringing her distinct musicianship and beyond-years wisdom to both studio and live performances. She has also shared stages with The Stone Roses and Ishmael Ensemble and guested with New Order at the Manchester International Festival.Her music explores the tension of modern relationships, the complexities of human connection, and the raw emotions of infatuation and heartbreak. With a voice of striking depth and lyrics that cut deep, she continues to stretch and redefine genre boundaries.Beyond her solo work, Abdi is involved in an upcoming PRS-funded collaboration with The Hallé Orchestra, Youth Choir, and Low Four Studio, further expanding her artistic vision. With a restless energy and a commitment to creative exploration, she remains an artist to watch. www.ellenbethabdi.co.ukInstagram: instagram.com/ellenbethabdiFacebook: facebook.com/EllenBethAbdiX (Twitter): x.com/ellenbethabdiTikTok: tiktok.com/@ellenbethabdi

Ellen Beth Abdi

Silver Shark Studios presents STRANGE GRAVITY with special guests allmyfriendsaresynths and Alex TronicA night of electronica with Strange Gravity and allmyfriendsaresynths and a special DJ set from Alex Tronic.On May 29th 2025, STRANGE GRAVITY will be playing live at the The Voodoo Rooms in Edinburgh.This one-off concert presented by vintage synth nirvana, Silver Shark Studios, marks the Scottish live debut for Strange Gravity.Praise for STRANGE GRAVITY - Music For The Metaverse:&quot;Its smoky-voiced, sophisticated pop-jazz songs are individual works of art.&quot; Lounderthanwar.com&quot;The strong songwriting makes Music for the Metaverse a highly engaging reality!&quot; Electronic Sound.Also playing will are allmyfriendsaresynths. Stephen McLeod aka AMFAS is a Glaswegian experimental electronic artist and YouTube dilettante. Known for &#39;memorable&#39; live performances, he returns to Edinburgh after a string of shows in far-flung destinations like London, Tokyo, Guadalajara, and... Stoke-On-Trent.Alex Tronic will be performing a special DJ set throughout the nightDoors open 7:30 with live music and DJ till lateTickets £10 plus booking fee

Strange Gravity

ROCK FEMMES FATALES celebrates the brilliance of female-fronted rock artists through the ages. The band features powerhouse vocalists and musicians with decades of extensive live and recording experience in club, theatre and festival environments. Performing classics from artists such as Patti Smith, Heart, Cher, Pat Benatar, Blondie, Pretenders, Belinda Carlisle, Stevie Nicks, Alanis Morissette, KT Tunstall and many others, this show is an evening not to be missed!

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